• Buy tickets
  • Bring 3D glasses for an optimal experience!

  • Suggestion: visit our museum on weekdays, it is often quieter than on weekends.

  • 2 Okt. 2020 until 6 Dec. 2020


Due to covid-19 it is mandatory to reserve an entrance ticket with start time. Reserve your entrance ticket(s) here. We urgently ask you to wear a face mask. Face masks are for sale in our museum shop.

From 2 October 2020, the Nederlands Fotomuseum will present the Somfy Photography Award (SPA) 2020 with new work by the nine nominated photographers: Roderik Henderson (NL), Géraldine Jeanjean (NL), Stephan Keppel (NL), Matthieu Litt (BE), Antoinette Nausikaä (NL), Martine Stig (BE), Dustin Thierry (NL), Maarten Tromp (NL), and Jordi Ruiz Cirera (ES). The Somfy Photography Award (SPA) is a biennial international photography award that offers professional photographers the opportunity to create new work inspired by a predetermined theme.

Nominees for the Somfy Photography Award 2020 © Bas Losekoot

Somfy Photography Award SPA
The Somfy Photography Award is an original photography competition, now in its second edition. Nine shortlisted top photographers will create unique work based on the theme ‘Gimme shelter’ and compete for first and second place. The Somfy Photography Award is an opportunity for professional photographers to create work on a specific subject, based on their own project proposals.

The work they make for the Award will be brought together from 2 October and shown in a group exhibition in the Nederlands Fotomuseum. Based on this exhibition, an international jury of experts chooses a first and second winner.

On 23 October 2020, a jury of international experts consisting of Frits Gierstberg (chairman), Menno Kooistra (architect Elephant), Dana Lixenberg (photographer), Thomas Seelig (curator/head of the photo collection of Museum Folkwang in Essen, Germany) and Stephan Vanfleteren (photographer) will announce the first and second prize winners.

“We are delighted to be able to show the results of the Somfy Photography Award 2020 at our home base," says Birgit Donker, director of the Nederlands Fotomuseum. "With the work budget that the photographers receive, they can create new work. And now they will also be able to show it to the public. In this way, we want to contribute to the development of proven talent together with Somfy."

With the Somfy Photography Award, Somfy wants to express its contribution to people’s comfort and well-being in an inspiring and creative way. Somfy is an international corporation that makes innovative, technical products that regulate everything related to natural light and light management for people in buildings. People are central to the development, production, and application of technology. With the creation of the Somfy Photography Award and the partnership with Somfy, an international photography platform has been created that contributes to the development of photography in the Netherlands.

About the theme ‘Gimme Shelter’
The theme of the Somfy Photography Award 2020 is ‘Gimme Shelter’: ‘Shelter’ is an overarching, all-embracing, basic need for people and animals: protection, shelter, safety, and comfort. ‘Shelter’ is not just manifested in factories, offices, schools, houses, and hospitals, but also in the cardboard box of a homeless person, in a lovers’ embrace, in the mother who cherishes her child. Comfort, well-being, and sustainability are the three most important qualities that Somfy contributes to buildings. These terms represent both ‘The Art of Somfy’ and the most important requirements in Maslow's hierarchy of needs.

The nominees
Martine Stig focuses on ‘invisibility as a human right’. How do computers see us, do they read us? Are they prejudiced? Can we fool the machine?

Roderik Henderson portrays a young woman sitting on a slab of rock in the desert at the foot of the Andes mountains in northern Chile. Henderson’s 3D photo series Pink Desert is a visualization of the way the young woman experiences her physical contact with the harsh, prickly landscape.
For an optimal experience you could bring your 3D glasses.

Antoinette Nausikaä has chosen the river Seine near Paris as her working space. She wants to visually evoke a sense of shelter and the connection with nature that the Seine once offered the city.

Stephan Keppel  has turned his photographic and printing skills to an exploration of one of the public shelters created in Amsterdam: the Vondelbrug (Brug 200), which served as an atomic bomb shelter during the Cold War. These days, the ‘Vondelbunker’ is a venue for musical performances, debates, political action and visual arts events. Keppel has photographed the graffiti and slogans spray-painted underneath the bridge (itself a ‘shelter’) and used the images to create new and powerful works of art.

Géraldine Jeanjean addresses the physical and symbolic function of glass as something that creates a division between inside and outside, safe and unsafe.

Matthieu Litt explores Ry-Ponet, a green space located around a stream running through the metropolitan area of the Belgian city of Liège. This green lung is a symbol of resistance and a place of refuge for both people and animals.

Maarten Tromp is creating a series of portraits of primates in rescue centres in the Netherlands, Spain, and Indonesia. How do we, as human beings, relate to the world we live in? And what do the portraits tell us about the way we look at these animals?

In this series Dustin Thierry (The Netherlands) portrays photographers of color, a group whose existence is being ignored, in particular in the world of photography. In contemporary debates around diversity one can often hear the complaint: ‘but we can’t find them’. This series shows that they are here and that they have a right to be here; from an  intimate perspective wishes to celebrate inclusivity.

Jordi Ruiz Cirera (Spain) photographs migrants and refugees from South America to Mexico on their way to the United States. While nations are implementing stronger border policies to prevent migrants and asylum seekers to arrive, this only forces them to take longer and more dangerous routes. As the US effectively outsources their border policies to Mexico, these groups find themselves stuck on their final stretch. His series focuses on the realities for migrants, refugees and deportees as they seek for shelter across Mexico.

Gebouw Las Palmas Statendam 1 (Wilhelminapier), Rotterdam +31 (0)10 203 04 05 info@nederlandsfotomuseum.nl

© 2016 - 2019 Nederlands Fotomuseum. WooCommerce door Redkiwi